| "Sinfonia"
from "Il Quinto Fabio" opera (1778)
in C major |
| 1 |
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Allegro comodo |
[6:50] |
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| 2 |
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Rondo. Andantino |
[3:14] |
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| 3 |
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Presto |
[1:44] |
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Pratum Integrum
Orchestra |
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| 4 |
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Aria "Cara
deh torna in pace" from "Il Quinto
Fabio" opera for soprano and orchestra
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[5:33] |
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G. Knysh, Pratum
Integrum Orchestra |
[3:47] |
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World Premiere
Recording |
[5:40] |
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| 5 |
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Canzonetta
"Ecco quell fiero istante" for
soprano and string quintet
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[4:45] |
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G. Knysh, S.
Filchenko, V. Pessin, Ju. Vdovitchenko,
M. Spiridonova, P. Serbin |
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World Premiere
Recording |
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| 6 |
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Aria "Vas orner le sein de Themire"
(1778) for soprano and strings |
[2:05] |
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G.
Knysh, Pratum Integrum Orchestra |
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World
Premiere Recording |
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| 7 |
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Fuga
(Studio) "Amen" for four-part
choir and strings |
[1:34] |
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The
soloists of The Russian Patriarchate Choir,
the soloists of The Moscow Boys Capella,
Pratum Integrum Orchestra |
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World
Premiere Recording |
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| Motet "In convertendo
dominus" (1777) for soprano, alto, basso
and strings |
| 8 |
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In
convertendo |
[2:10] |
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G.
Knysh, E. Pozhidaeva, A. Vassiliev, S. Filchenko,
D. Sinkovsky, Ju. Vdovitchenko, P. Serbin,
Ja. Kovaliov, O. Martynova |
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World
Premiere Recording |
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| 9 |
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[Aria] Converte Domine |
[3:41] |
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E.
Pozhidaeva, S. Filchenko, D. Sinkovsky,
Ju. Vdovitchenko, P. Serbin, Ja. Kovaliov,
O. Martynova |
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| 10 |
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[Aria]
Qui Semi |
[2:34] |
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G. Knysh, S. Filchenko, D. Sinkovsky,
Ju. Vdovitchenko, P. Serbin, Ja. Kovaliov,
O. Martynova |
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| 11 |
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Gloria Patri |
[1:34] |
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G. Knysh, E. Pozhidaeva, A. Vassiliev,
S. Filchenko, D. Sinkovsky, Ju. Vdovitchenko,
P. Serbin, Ja. Kovaliov, O. Martynova
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World
Premiere Recording |
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| Motet "Ave
Maria" (1775, Napoli) for soprano, alto and
orchestra |
| 12 |
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Ave
Maria |
[3:33] |
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G.
Knysh, E. Pozhidaeva, Pratum Integrum Orchestra |
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| 13 |
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[Aria] Benedicta |
[2:40] |
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G.
Knysh, Pratum Integrum Orchestra |
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| 14 |
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Sancta
Maria |
[1:55] |
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G. Knysh, E. Pozhidaeva, Pratum Integrum
Orchestra |
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World
Premiere Recording |
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| 15 |
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Motet "Salve
Regina" (1776) for soprano and orchestra |
[5:33] |
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G. Knysh, Pratum
Integrum Orchestra |
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World Premiere
Recording |
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| 16 |
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Motet "Montes
valles resonate" (1778) for soprano,
alto, chorus and orchestra |
[4:48] |
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G. Knysh, E.
Pozhidaeva, the soloists of The Russian
Patriarchate Choir, the soloists of The
Moscow Boys Capella, Pratum Integrum Orchestra |
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World Premiere
Recording |
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Total time [55:17]
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PRATUM
INTEGRUM ORCHESTRA
Sergei Filchenko violin (1 - 16)
"In Memory of Great Stainer", A. Rabinovich,
St. Petersburg, Russia, 1996 / after
J. Stainer,Austria, mid. 1600s
Dmitry Sinkovsky violin (1-4, 6-16)
J. Schweizer, Germany, 1810
Marina Katarzhnova violin (1-4, 6-7, 12-16)
L. Kerchenko, Moscow, Russia, 1996 / after A. Stradivari,
Italy, 1707
Ekaterina Krasutskaya violin (4)
anonym, France, early 1800s
Natalia Kossareva violin (1-4, 6-7, 12-16)
anonym, Germany, 1791
Vlad Pessin violin (4-5)
A. Rabinovich, St. Petersburg, Russia, 2001 / after
J. Stainer, Austria, mid. 1600
Nikolai Dolzhnikov violin (1-3, 6-7, 12-16)
A. Danielo, Venezia, Italy, 1704
Dmitry Lepekhov violin (1-3, 6-7, 12-16)
anonym, XVIII century
Juri Vdovitchenko viola (1 - 16)
anonym, Tirol, 1792
Margarita Spiridonova viola (1-7, 12-16)
anonym, Italy, early 1800s
Jaroslav Kovaliov
cello (1-4, 12-14, 16)
I. Frolov, Moscow, Russia, 1950
double-bass piccolo (6-11, 15)
anonym, Germany, XIX century
Pavel Serbin cello (1 - 16)
F. Pillement, Mirecourt, France, 1795 / restored
by A. Meyer, Metz, France
Miroslav Maksimyuk double-bass piccolo (1-4, 12-14,
16)
anonym, Germany, XIX century
Andrei Piskunov oboe (1, 3, 15, 16)
G. Wolf, Cronah, Germany/ after J.F. Grundmann,
1788
Philipp Nodel oboe (1, 3, 15, 16)
M & F Ponseele , Damme , Belgium / after J.F.
Grundmann, ca. 1775
Ekaterina Driazzhina flute (2, 4, 16)
R. Tutz, Innsbruk, Austria / after H. Grenser,
Germany, 1765
Olga Ivusheikova flute (4)
R. Tutz, Innsbruk, Austria / after H. Grenser,
Germany, 1765
Andrei Ikov trumpet (3, 16)
A. Egger, Basel, Switzerland, 2002 / after J.L.
Ehe II, Nuremberg, 1746
Vladimir Kern trumpet (3, 16)
A. Egger, Basel, Switzerland, 2002 / after J.L.
Ehe II, Nuremberg, 1746
Helen MacDougall natural horn (4)
Ferdinand Kron, Mainz, Germany, 1820
Alexander Andrusik natural horn (1, 3, 4, 12, 16)
Patterson Hornworks, USA, 2002 / after A. Cortois,
France, 1841
Alexei Raiev natural horn (1, 3, 12, 16)
Patterson Hornwork, USA, 2002 / after A. Cortois,
France, 1841
Konstantin Semenov kettledrum (16)
Russia, early 1900-s
Olga Martynova harpsichord (1-4, 6, 8-16)
Cembalobau Merzdorf, Germany, 1997 / after J. Ruckers,
Antwerpen, 1640
Anatoliy Grindenko conducting (7, 16)
Soloists:
Pavel Serbin - Artistic Director
Sergei Filchenko - Principal Violin, Concertmaster
Galina Knysh - soprano
Elena Pozhidaeva - alto
Anton Vassiliev - bariton
The soloists of The Russian Patriarchate Choir (Director
A. Grindenko)
The soloists of The Moscow Boys Capella (Choirmaster
and Conductor Leonid Baklushin)
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