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Catalogue


Jean-Féry Rebel (1666-1747)
Ballets Sans Paroles

PRATUM INTEGRUM ORCHESTRA

CM 0052005
1   Caprice (1711) [2:37]
Listen audioclip (2.5Mb)
       
Les élémens, simphonie nouvelle (1737–1738)
The Elements, a new symphony (1737–1738)
2   Le Cahos [5:55]
3   Loure I
[2:13]
4   Chaconne [2:40]
Listen audioclip (2.8Mb)
5   Ramage
[1:03]
6   Rossignols [1:16]
7   Loure II [2:11]
8   Tambourin I & II [2:01]
9   Sicilienne [1:28]
10   Air pour l'Amour [1:19]
11   Caprice [2:23]
       
12   Boutade (1712)
Joke (1712)
[5:38]
Listen audioclip (1.8Mb)
       
Les plaisirs champêtres (1734)
The Pastoral Pleasures (1734)
13  

Musette I

[0:51]
14   Gavotte [1:52]
Listen audioclip (1.6Mb)
15   Musette II [0:23]
16   Chaconne [2:40]
17   Passepied [1:26]
18   Bourrée/Rigaudon/Bourrée [3:21]
       
Les caractères de la danse, fantaisie (1734)
The Dance Characters (1734)
19  

Prelude

[0:31]
20   Courante [0:29]
21   Menuet [0:25]
22   Bourrée [0:22]
23   Chaconne [0:55]
24   Sarabande [0:36]
25   Gigue [0:28]
26   Rigaudon [0:17]
27   Passepied [0:26]
28   Gavotte [0:22]
29   Sonate I [0:36]
30   Loure [0:15]
31   Musette [1:46]
32   Sonate II [1:12]
Listen audioclip (1.2Mb)
       
Fantaisie (1729)
Fantasy (1729)
33  

Grave

[1:19]
34   Chaconne [3:05]
35   Loure [2:03]
36   Tambourin [2:25]
Listen audioclip (2.1Mb)
 
Total time [60:00]

Scores revised by Pavel Serbin (2005) - 1 , 19–32
Transcription for viola da gamba and b. c. by Pavel Serbin (2005) - 12
Compositions arranged by Pavel Serbin (2005) 13–18 , 33–36

Text of the booklet is available in English, French, and Russian.

 

Disc reviews:
"Toccata Alte Musik Actuell" magazine (in German)
"Opus Haute Definition" e-magazine (in French)
"Musik an sich" (in German)
Diapason (in French)
"Audiophile Audition"

 

PRATUM INTEGRUM ORCHESTRA

Sergei Filchenko 1st violin (1–11, 13–26, 28–36)
J. Stainer “In Abssam prope Oenipontum”, Austria, 1678

Marina Katarzhnova 1st violin (1–4, 6–11, 13–26, 28–36)
L. Kerchenko, Moscow, Russia, 1996 / after A. Stradivari, Italy, 1707

Dmitry Lepekhov 1st violin (1–4, 6–11, 13–26, 28–36)
A. Polyanich, Ordzhonikidze, former USSR, 1943 / after A. Stradivary, Italy, 1670s

Alexander Dogadaev 1st violin (1–4, 6–11, 13–26, 28–36)
anonym, Germany, XIX century

Dmitry Sinkovsky 2nd violin (1–11, 13–26, 28–36)
J.B. Schweizer, Germany, early 19th century

Natalia Kossareva 2nd violin (1–4, 6–11, 13–26, 28–36)
Anonym, Germany, 1791

Ivan Titov 2nd violin (1–4, 6–11, 13–26, 28–36)
J. Stainer “In Abssam prope Oenipontum”, Austria, 1678

Juri Vdovitchenko viola (1–4, 6–11, 13–16, 18–23, 25–26, 29–36)
Anonym, Tirol, 1792

Sergei Tischenko viola (1–4, 6–11, 13–16, 18–23, 25–26, 29–36)
T. Podgornyi, Moscow, Russia, 1956 / after A. Stradivari, Italy, early 1700s

Pavel Serbin viola da gamba (3–4, 12, 19–23, 25–32)
T. Podgornyi, Moscow, Russia, 1927
cello (1–2, 7–9, 11, 13–16, 18, 33–36)
F. Pillement, Mirecourt, France, 1795 / restored by A. Meyer, Metz, France, 1999

Alexander Gulin cello (1–4, 7–9, 11, 13–16, 18–26, 28–36)
E. Meinel Meisterwerkstatten Musima, Germany, 1970s / after A. Stradivari, Italy, 18th century

Mark Vainrot viola da gamba (12)
M. Hummel, Nürnberg, Germany, 1700

Michael Khokhlov double bass (1–4, 7–9, 11, 13–16, 18–23, 25–26, 28–36)
Anonym, Germany, 1840s

Vladimir Paruntsev (2, 5, 36)
piccolo recorder in F
A. Kueng, Switzerland, 1995 / after G.C. Denner, Nürnberg, ca.1700
discant recorder in C
E. Meyer Germany, 1985 / after Terton, Paris, early 18th century
treble recorder in F
Heinz Amman, Switzerland, 1996 / T. Stanesby Junior, London, ca.1720

Julia Chernova discant recorder in C (2, 36)
E. Meyer Germany, 1985 / after Terton, Paris, early 18th century

Ekaterina Driazzhina transverse flute (1–4, 6, 9–11, 16–19, 21, 24, 29, 32–34, 36)
R. Tutz, Innsbruck, Austria, 2004 / after J.H. Rottenburg, Belgium, 1740s

Ivan Bushuev transverse flute (1–4, 6, 9–11, 16–19, 21, 24, 29, 32–34, 36)
R. Tutz, Innsbruck, Austria, 2000 / after G.A. Rottenburg, Belgium, 1760s

Philipp Nodel oboe (1, 4, 7–8, 11, 13–16, 18, 20, 22–23, 25–27, 29–32, 36)
M. & F. Ponseele, Damme, Belgium, 2002 / after T. Stanesby Junior, London, ca.1720

Andrei Piskunov oboe (1, 4, 7–8, 11, 13–16, 18, 20, 22–23, 25–27, 29–32, 36)
M. & F. Ponseele, Damme, Belgium, 2002 / after T. Stanesby Junior, London, ca.1720

Michael Shilenkov bassoon (1–4, 7–9, 11, 13–16, 18–23, 25–27, 29–34, 36)
G. Wolf, Kronach, Germany, 1997 / after «HKICW», ca.1700

Alexander Kolomiets bassoon (1–4, 7–9, 11, 13–16, 18–23, 25–27, 29–34, 36)
L. Verjat, Paris, France, 2004 / after Prudent, Paris, 18th century

Alexei Ikov natural trumpet (34, 36)
A. Egger, Basel, Switzerland, 2002 / after J.L. Ehe II, Nürnberg, 1746

Vladimir Skvortsov natural trumpet (34, 36)
A. Egger, Basel, Switzerland, 2002 / after J.L. Ehe II, Nürnberg, 1746

Anna Karpenko harpsichord (1–4, 6–26, 28–36)
Cembalobau Merzdorf, Germany, 1997 / after J. Ruckers, Antwerpen, 1640

Alexander Suvorov timpani (36)
Anonym, Russia, late 19th century

Artistic Director - Pavel Serbin
Concertmaster - Sergei Filchenko

Acknowledgements

Thanks to Editions Fuzeau for providing Pratum Integrum Orchestra with the original scores. These works will be avialable soon in facsimile in their French Classical Music Collection.

The Pushkin Museum of Fine Arts (Moscow, Russia) and Nataliya Vedeneeva personally for providing the copy of artwork.
 

Recording Details

Microphones - Neumann km130
DPA (B & K) 4006
DPA (B & K) 4011

SCHOEPS mk2S
SCHOEPS mk41

All the microphone buffer amplifiers and pre-amplifiers are Polyhymnia International B.V. custom built.

DSD analogue to digital converter - Meitner design by EMM Labs.

Recording, editing and mixing on Pyramix system by Merging Technologies.

 

Recording Producer - Michael Serebryanyi
Balance Engineer - Erdo Groot
Recording Engineer - Roger de Schot
Editor - Carl Schuurbiers

 

(P)&(C) Essential Music, #16b-2, Volokolamskoye shosse,
Moscow, 125080, Russia.

DDD

Recorded:
5-7.11.2005 5th Studio of The Russian Television and Radio Broadcasting Company (RTR) Moscow, Russia

 


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